Originally published on 250 Word Reviews.
(Off-Broadway at LCT3)
So much of Branden Jacobs-Jenkins’s latest is summed up in its name, War. The title simultaneously refers to a family at odds with each other, the aftereffects of a grandfather’s WWII military service, and a look at how what was (“war” in German) affects what is. The family in question is anchored by Charlayne Woodard as Roberta, a mother felled by stroke, who speaks to the audience from within the cage of her mind as she tries to piece together who might need her to return to the world of the living. Who needs each other in a family is the bigger question of the play, as siblings (Chris Myers and Rachel Nicks) disagree about their mother’s treatment – and each others’ life choices. Michele Shay and Austin Durant’s appearance as strangers claiming to be hitherto-unheard-of family members in need should complicate the ethical discussion, but the play seems to take clear sides, going so far as to end with a long speech from the elder stranger (Shay) that shows everyone the errors of their ways and knits them into a happy family unit. The play suggests that “need” was never the right frame for asking these questions at all, and beyond need might lay a more potent framework for family.
Strong performances (particularly from Woodard) and a touch of heightened theatricality help War rise above the average American family drama. Director Lileana Blain-Cruz beautifully balances the play’s realism and metatheatrics, drawing the audience into the play both literally and figuratively.
Production photo by Erin Baiano. Pictured (l-r): Charlayne Woodard, Reggie Gowland, Rachel Nicks, Michele Shay, and Chris Myers.
David Levy 