Keshet: An Interview with Luzer Twersky: From Ultra-Orthodox to “Transparent” Star

Originally published on Keshet’s blog on MyJewishLearning.com.

Luzer Twersky

Luzer Twersky is an actor who plays Mendel in Season Two of Amazon’s hit television show “Transparent.” He grew up in an insular Hasidic community in Brooklyn, which he left in his early 20s, with help from Footsteps, an organization that helps formerly ultra-Orthodox Jews integrate into mainstream society. He is best known for his role in the film “Félix & Meira,” which is Canada’s submission for the Best Foreign Language Oscar this year. Luzer spoke with Keshet’s David Levy last week after the first episode of “Transparent” was released.

DAVID LEVY: Let’s just start by saying congratulations on being part of “Transparent.” Have you had the opportunity to watch the finished product yet?

LUZER TWERSKY: I watched the first episode of the new season, and it’s very good. I’m very happy with it and very proud of it.

DL: I saw your name in the credits but didn’t spot you in the episode itself. I assume you’re in the German flashback?

LT: In the first episode I’m a little “blink-and-you-miss it.” These flashbacks will happen all season. You’ll see the parallel between what’s happening at the wedding with all the dancing and the craziness and what’s happening at this party filled with queers and gays and gender-fluid people, and then you see those same kind of people 100 years ago in Berlin. And you also notice that Simon, Maura’s nephew, seems to be in those scenes in Berlin. It’s all going to tie together.

And then you’ll notice at the end of the episode, when you see Ali standing on her balcony, and then you see someone next to her who we had seen dancing in that Berlin scene.  Continue reading

250 Word Reviews: Dada Woof Papa Hot

Originally published on 250 Word Reviews.

Dada Woof Papa Hot

DADA WOOF PAPA HOT
(Off-Broadway: Lincoln Center Theater at the Mitzi E. Newhouse)

Most gay men of a certain age never envisioned a world in which they could get married and have children. At its surface, Dada Woof Papa Hot examines how two couples-with-toddlers adapt to this reality. But at its heart, Peter Parnell’s play considers whether relationships can survive when partners have radically different ideas of what their partnership should look like. Alan (John Benjamin Hickey) came of age in the pre-AIDS-crisis days of gay sexual liberation but was never much interested in partaking. By 2015, he’s married to Rob (Patrick Breen), who dotes on their daughter and relishes fatherhood – another activity in which Alan has only mild interest. They seek out friendship with younger dads Scott (Stephen Plunkett) and Jason (Alex Hurt), which goes well until Jason and Alan have a tête-à-tête, permitted in the Jason’s relationship but a clear violation on Alan’s part. Alan never wanted kids, Jason never wanted monogamy, and their partners who convinced them into their current arrangements feel betrayed.

As directed by Scott Ellis, the play feels more like a math problem than a drama, with a dose of armchair psychology sprinkled in for flavor. John Lee Beatty’s elaborately modular set is the most interesting thing on stage. Despite strong performances, particularly by Hickey and Plunkett, one gets the sense that neither the characters (beyond Jason) nor the playwright seriously considered that gay people might create and fit into relationships that don’t simply mimic heteronormativity, so the play becomes a straw man argument hardly worth engaging.

Production photo by Joan Marcus. Pictured (l-r): Alex Hurt, John Benjamin Hickey, Stephen Plunkett, and Patrick Breen.

Keshet: Hineini: 10 Years of Coming Out in Jewish Spaces

Originally published on Keshet’s blog on MyJewishLearning.com.

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A dozen or so years ago, I was working as an educator at a large Conservative synagogue in the suburbs of Boston. Gay marriage was on the verge of legalization – and therefore on the front page of the newspaper every day.

The Conservative movement had not yet revised its decades-old opinions of sexuality, which could be summed up as, “We don’t hate you, but we’re going to leave it up to individual synagogues as to whether we treat you like members or allow you to do anything.” And despite being one of two openly gay educators at this synagogue, I found myself inching back into the closet at work due to an environment that made it clear that while it might be okay to be gay on my own time, no one wanted to hear about it on the clock.  Continue reading

Jewschool.com: Oriented: New Documentary about Gay Palestinians in Tel Aviv

Originally published on Jewschool.


“[Other Palestinian activists] tend to deal with the national issue rather than the social one. They focus on the national and put all other identities aside. But we have a lot of complex identities. There are a lot of issues that people are afraid to confront, and this is our opportunity to play with these identities.” – Fadi Deem

Oriented, a new documentary by Jake Witzenfeld, follows a group of gay Palestinian men as they fall in and out of love, come out to their families, and form an activist collective called Qambuta. Witzenfeld, a British, straight, Jewish resident of Israel, first introduces us to Khader Abu Seif, a handsome and charismatic activist speaking to a group of Jews at Tel Aviv’s LGBT Center. He relates a story of being contacted by a journalist looking for a tragic gay Palestinian who can share the tale of his persecution and woe. Khader explains that he’s actually very happy, well-adjusted, and accepted. Well then, the reporter asks him, can you put me in touch with such a Palestinian? Continue reading

Heeb Reviews That Gay Erotic Hanukkah Fiction You Were Probably Looking For

Originally published on Heeb.

Look, I’m a defender of the Chanukkah Bush, the Mench on the Bench, or any other stupid crap that makes our sorry little holidays feel a little more festive. (I mean, I actually think the Mench on the Bench / Elf on the Shelf is the creepiest surveillance state for kids bullshit ever, but you know what I mean.) But you know what exactly zero Jewish people put on their wish lists? Chanukkah-themed gay erotic fiction. And yet, it turns out that Loose Id, a California-based publisher of sexy eBooks, has been churning out exactly that for a number of years, boasting a collection of ten titles that are currently on sale for 18% off (get it?) now through Christmas.

To be perfectly fair to Loose Id, despite being a gay Jewish dude, I am not the target audience for these books, which were all written by women and seem to be intended for a female audience. So when I tell you that I read all or part of books by five different writers and didn’t so much as pop a boner (do people still say that in 2014?) once, take that in stride. For comparison, I have been known to feel my pants tighten at a well-shot car insurance commercial.

“But how do you know these stories aren’t intended for gay dudes?” I hear you ask. Continue reading

Jewschool: Meet the Man Behind The Men of the Naughty Jewish Boys Calendar

Originally published on Jewschool.

Naughty Jewish Boys CalendarLast February, I shared a link right here on Jewschool to a Craigslist ad advertising for models for a “Naughty Jewish Boys” calendar. I was so tickled by the idea when I saw it on my friend Duncan Pflaster‘s Facebook page, I didn’t even realize that he had posted the ad – or that the Jewschool post would bring it widespread Jewish media attention. Fast forward five months, and the calendar is a real thing that exists in the world in two versions: the regular and extra-naughty editions. I sat down with Duncan this week to chat about his adventures in putting these calendars together.

Naturally, the first thing I wanted to know about was what kind of controversy the calendar had generated. Duncan’s run-ins with the creator of the Nice Jewish Guys calendar have been well documented elsewhere, but I had to know: were religious people offended at the images of nearly-naked men with ritual objects? Were liberals offended at a non-Jewish photographer eroticizing or even fetishizing Jewish men? Nope. “Most everybody has thought it’s been a fantastic idea,” he told me, “Especially the Jewish press.” While he did have a couple of people get upset over eroticizing Judaism, the more common response has been from women saying “it’s incredible. Thank you so much for doing this.” Continue reading

Keshet: Life After Love: Cher & Jewish Mourning Rituals

Originally published on Keshet’s blog on MyJewishLearning.com.

David & his parents, marching with Keshet at Boston Pride in 2009.In October 2013, when I bought my tickets to see Cher’s Dressed to Kill tour, which would be playing down the street from my house in the then-distant future of May 2014, my mother asked with mock hurt in her voice why I hadn’t invited her to see the show with me.

At the time, I thought it was a bit of a ridiculous request. Although my mother had taken me to my earliest concerts in my pre-teen days, I couldn’t really envision her enjoying a stadium show at age 67. I imagined the show would be unbearably loud for her, and over the last couple of years, her health had slipped, and she just seemed too frail for that kind of environment. Plus, what interest did my mom have in the electronic dance diva that Cher has become in the most recent evolution of her career?  Continue reading

It’s dlevy! A Gay Country Waltz

Originally published on It’s delightful, it’s delicious, it’s dlevy!

I feel too fat to fit into my only clean pair of underwear.
I’m sure it’s the late-night Chinese food to blame but I just can’t seem to care.
Loneliness haunts me and Grindr’s no help to bring sexy men to my door
But my trusty Chinese food delivery restaurant’s available with more.

Now I know it’s cliche to cry ‘bout my waistline when I’m solely to blame
See, I hate the gym, and I really like food, and I refuse to feel any shame.
And God bless the dudes into bears who greet me with woofs and grrs and all that.
Lord knows it isn’t a hardship these days to be gay, hairy, and fat.

But all of the stir fry (and the condoms and the KY) adds up to a financial toll
And even a bear has the vanity to care about what covers his pole
Going online for a new pair of designer briefs each day of the week
Is draining my money so I just can’t be sunny ‘bout the dilemma of which I now speak:

I feel too fat to fit into my only clean pair of underwear
And the Fluff And Fold service is making me nervous cuz the delivery guy isn’t here.
How can I venture out into the world with these too-tight briefs round my waist?
But I feel too fat to fit into my only clean pair, and I’m feelin’ debased.

Maybe some creative thinking is all that I need to raise my mood,
Which would not only answer the problem but keep me from ordering any more food
I should just forego this sideshow and let go of briefs forever more
Going commando means never again running out to the department store
when

I feel too fat to fit into my only clean pair of underwear
Fuck it, who needs em, they’re just a tool of the patriarchy and I shouldn’t care
Proudly I’ll slip on my fat pants without them and know deep within
The true liberation can only be felt when there’s denim against your skin.

I feel too fat to fit into my only clean pair of underwear
So I will subvert the options because I’m an academic queer
Love me or leave me it really don’t matter because can’t you see?
Now that I’ve stopped wearing underwear, deep within, I’m finally free.

Keshet: Keep On Coming Out

Originally published on Keshet’s Blog on MyJewishLearning.com.

In honor of National Coming Out Day, we bring you the coming out musings of David Levy, long-time Keshet member and board member, who explains why he doesn’t think the coming out process is ever over… and why that’s not a bad thing.

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Creative Commons/Paul Lowry

Coming out is such a profound aspect of the LGBT experience for many of us that it’s taken on a special place within queer culture. When I was growing up, coming out stories dominated gay fiction and cinema. Swapping our own stories of coming out is a frequent characteristic of gay dating. But there are two questions that come up in these contexts that always aggravate me:

“How old were you when you came out?” and,

“Don’t you wish we lived in a time when no one had to come out?”  Continue reading

JewishBoston.com: What’s Jewish about Gay Pride?

Originally published on JewishBoston.com.

Last Shabbat, I was invited by Rav Claudia Kreiman to give the drash (sermon) at Temple Beth Zion in Brookline for the GLBTQ Pride Shabbat. She asked me to speak on the question of why gay pride is a Jewish concern. Here’s what I had to say:

Falsettos - Broadway PlaybillIn 1992, the summer before I started high school, I saw Falsettos on my second-ever trip to Broadway. For those of you unfamiliar with the show, it was the combination of two earlier, ground-breaking off-Broadway musicals by songwriter William Finn: March of the Falsettos, which told the story of Marvin, a Jewish man in his forties who had left his wife and son for a male lover, but who wanted a “tight-knit family” that included all of them; and its sequel, Falsettoland, in which Marvin’s son struggles with becoming bar mitzvah while Marvin’s lover struggles with the disease that would come to be known AIDS.

I don’t know that there’s ever been another show — or ever will be — that spoke so directly to me. A large part of that is simply that it’s the first time I can remember seeing gay lives portrayed, well, anywhere. I didn’t know any gay adults, and while I had an inkling that some of my friends might also be gay, none of us had yet spoken the words out loud to each other.

I’m just young enough to have missed Billy Crystal on Soap, and Tom Hanks in Philadelphia was still a year away; Ellen wouldn’t come out for another five years. So in 1992, gay boys who loved Broadway musicals had Falsettos, lesbians had newly out of the closet country singer k. d. lang, and that was it. The gays of Falsettos were Jewish – and I don’t just mean Jew “ish” – the opening number of the show is called “Four Jews in a Room Bitching,” which really sets the tone for how the rest of the show unfolds… that these characters’ sexuality and domestic struggles were wrapped in the familiar neuroses of my community intensified the resonance. Continue reading