Originally published in Equity News.
When tragedy strikes, everyone responds individually. For Equity member Blair Baker and Zac Kline, co-Artistic Directors of Missing Bolts Productions, their response to the Pulse nightclub massacre in Orlando, Fla., last June was to make art. “You have this urge to do something as an artist,” Baker told Equity News in December, “but you can feel, ‘What can I do as an actor?’”
Realizing her emotional state in the wake of the Orlando shooting mirrored that of the character she had played in Caridad Svich’s The Hour of All Things, Baker suggested reaching out to Svich to get to work on some kind of artistic response. Kline had previously collaborated with Svich in creating 24 Gun Control Plays in 2013. “It started from a place of deep urgency to want to do the project,” Kline explained, “but also from Blair’s incredible passion balanced with my efficiency.” Continue reading
Originally published in Equity News.
The grassroots #FairWageOnstage (#FWOS) movement scored a major victory in November 2016 when Equity signed a new agreement with the Off-Broadway League. We asked some of the leaders behind the campaign to share with us how a two-year process of organizing and advocacy resulted in this historic win.
While the motivation to seek fair wages lies in everyone’s need to pay the bills from the work they do, the inspiration for the #FWOS campaign came at a January 2014 Equity Membership Meeting. Following a passionate discussion about the terms of touring contracts, members Carson D. Elrod and Nick Westrate found themselves in the elevator musing, “Why aren’t we New York actors doing what those touring actors are doing?” Continue reading
Originally published on HowlRound.
Noah Diamond needed a change. After co-writing and co-producing a series of topical musical comedies with his frequent collaborator (and now-wife) Amanda Sisk, Diamond was ready to shift gears. The typical developmental process for musical theatre doesn’t lend itself to their kind of timely, ripped-from-the-headlines shows, and Diamond was ready to stretch his legs creatively.
Seven years later and ninety years in the making, he prepared the first revival of the lost 1924 musical I’ll Say She Is, which is barely remembered today as the Broadway debut of The Marx Brothers.
Originally published on Keshet’s blog on MyJewishLearning.com.
Luzer Twersky is an actor who plays Mendel in Season Two of Amazon’s hit television show “Transparent.” He grew up in an insular Hasidic community in Brooklyn, which he left in his early 20s, with help from Footsteps, an organization that helps formerly ultra-Orthodox Jews integrate into mainstream society. He is best known for his role in the film “Félix & Meira,” which is Canada’s submission for the Best Foreign Language Oscar this year. Luzer spoke with Keshet’s David Levy last week after the first episode of “Transparent” was released.
DAVID LEVY: Let’s just start by saying congratulations on being part of “Transparent.” Have you had the opportunity to watch the finished product yet?
LUZER TWERSKY: I watched the first episode of the new season, and it’s very good. I’m very happy with it and very proud of it.
DL: I saw your name in the credits but didn’t spot you in the episode itself. I assume you’re in the German flashback?
LT: In the first episode I’m a little “blink-and-you-miss it.” These flashbacks will happen all season. You’ll see the parallel between what’s happening at the wedding with all the dancing and the craziness and what’s happening at this party filled with queers and gays and gender-fluid people, and then you see those same kind of people 100 years ago in Berlin. And you also notice that Simon, Maura’s nephew, seems to be in those scenes in Berlin. It’s all going to tie together.
And then you’ll notice at the end of the episode, when you see Ali standing on her balcony, and then you see someone next to her who we had seen dancing in that Berlin scene. Continue reading
Originally published on Jewschool.
Last year, the Jewish community fell all over itself to merchandise the intersection of Hanukkah and Thanksgiving, but we all know that outside this special exception, the organized community tends to look down at the mixing of Jewish holidays and those of other faiths. Alexis Gewertz and Chelsea Scudder, two New Englanders from interfaith backgrounds with divinity school educations, aim to change that. They are the creators of Happy Challadays, a new line of greeting cards for those looking to celebrate the holidays without the drama of the “December Dilemma.”
The idea grew out of Alexis’s own experience as both the daughter of an interfaith marriage and as the Jewish partner in a Jewish-Catholic relationship. “It was a Christmas home growing up,” she told me, “but we started celebrating Hanukkah when my parents got divorced. My mom wanted to send me Christmas cards because we really do celebrate with both families, but she spends the whole year searching for interfaith cards that she can send to me and [my partner] Steve together. In the past she’s found maybe three really awesome ones.”
It turns out, greeting cards are sort of a passion for Alexis. “I love capturing my thoughts and the vibe of the moment when I’m writing a card and putting it in the mail,” she said, “knowing that a few days later, whenever the recipients check the mail, they’re going to get this message. These days people are used to getting email instantly. I love with cards the old-school mystery of ‘is it going to take one day or three days?’ not knowing at what point they’re going to check that mail. I love getting cards because I love knowing that someone is thinking about me, and I feel that connection across the miles in a way that isn’t the same with virtual connections.” Continue reading
Originally published on Jewschool.
Last February, I shared a link right here on Jewschool to a Craigslist ad advertising for models for a “Naughty Jewish Boys” calendar. I was so tickled by the idea when I saw it on my friend Duncan Pflaster‘s Facebook page, I didn’t even realize that he had posted the ad – or that the Jewschool post would bring it widespread Jewish media attention. Fast forward five months, and the calendar is a real thing that exists in the world in two versions: the regular and extra-naughty editions. I sat down with Duncan this week to chat about his adventures in putting these calendars together.
Naturally, the first thing I wanted to know about was what kind of controversy the calendar had generated. Duncan’s run-ins with the creator of the Nice Jewish Guys calendar have been well documented elsewhere, but I had to know: were religious people offended at the images of nearly-naked men with ritual objects? Were liberals offended at a non-Jewish photographer eroticizing or even fetishizing Jewish men? Nope. “Most everybody has thought it’s been a fantastic idea,” he told me, “Especially the Jewish press.” While he did have a couple of people get upset over eroticizing Judaism, the more common response has been from women saying “it’s incredible. Thank you so much for doing this.” Continue reading
Originally published on Jewschool.com
Stars of David: Prominent Jews Talk About Being Jewish debuted in 2005 and has been a perennial bar mitzvah gift ever since. The book, which features interviews by Abigail Pogrebin with about five dozen celebrities about their Jewish identities, is now an off-Broadway musical. Pogrebin is no stranger to the musical stage; she chronicled her experience as an original cast member of the infamous Stephen Sondheim flop Merrily We Roll Along in her 2011 Kindle Single Showstopper. This morning I chatted with her about the experience of writing Stars of David, both book and musical, and how her evolving Jewish identity has shaped the project.
In the introduction to the book, she discusses that part of the impetus for the project was that Jewish identity had crept up on her. She was married to a Jewish man, had two children approaching the ages when they might want to know something about what being Jewish meant, and she realized that she didn’t have an answer to that question. “I wasn’t necessarily honest with myself about why I started the book in the sense that I didn’t know how at sea I was, in terms of my own Jewish identity, when I approached famous people,” Pogrebin said. “I think sometimes stories are generated by some subconscious impulse to understand something for yourself. And I don’t want to over-analyze my motivations in starting the book, but I would say that having these frank conversations with some of our highest achievers made me look much more candidly at myself, and I realized I hadn’t answered a lot of the questions I was asking, personally.”