The destructive potential of the American Dream
Originally published in The Sondheim Review.
Mark Linehan (center) played John Wilkes Booth in New Repertory Theatre’s October 2014 production of Assassins in Watertown, MA. Photo by photos by Andrew Brilliant / Brilliant Pictures.
Stephen Sondheim has distanced himself from the practice of reusing discarded songs from old shows when writing new pieces. He has only ever acknowledged dipping into his trunk twice, both for Wise Guys: “Addison’s Trip,” present from the first reading in 1998, and “It’s In Your Hands Now” from the 1999 workshop. What distinguishes these from one another is that while “Addison’s Trip” reused material from an unknown song from a dead project (“Lunch” from Singing Out Loud), “It’s In Your Hands Now” came from Assassins.
It makes sense that if two shows were to share music, it would be the two written with John Weidman about the destructive potential of the American Dream. Even to the untrained ear, “It’s In Your Hands Now” sounds like Americana, with a melody based on the tones of a bugle call and a lyric about the “land of opportunity.” According to Look, I Made a Hat, “It’s In Your Hands Now” is based on “Flag Song,” an abandoned opening number for Assassins that focused on regular Americans before introducing the titular killers. But if you’re reading The Sondheim Review, chances are the first time you heard “It’s In Your Hands Now,” your subconscious started singing along with a different set of lyrics: “I just heard / On the news / Where the mailman won the lottery.” Continue reading
David Levy 