Originally published on Fynsworth Alley.
TERRY TROTTER is one of Fynsworth Alley’s most prolific recording artists, mostly as the arranger and pianist of The Trotter Trio, the jazz combo famous for its Sondheim in Jazz series, which includes Passion, Sweeney Todd, Company, A Funny Thing Happened On The Way To The Forum, A Little Night Music, and Follies. Most recently, the trio ventured off-Broadway for their jazz rendering of The Fantasticks.
DL: Let’s start talking about how you began playing piano.
TT: My mom is a wonderful classical pianist, so when I was about four years old I started messing around with the piano to see if I had some talent. I started studying when I was four. My mom didn’t teach me, but she sat with me every day. I had to practice every day from the time I was four until I left high school. Of course, by the time I was thirteen, I wanted to practice, you couldn’t get me away from the piano. Before that, I had to do a certain amount in the morning and a certain amount in the night – I practiced a lot, every day including Christmas and New Year’s. I had a one-week vacation every year where I couldn’t physically get to a piano, but the rest of the year, I had to practice or suffer the consequences.
DL: How did you move into the jazz world?
TT: When I was about twelve, my mom could see that my interest was not as strong as it had been. I heard some jazz music, and she decided to let me go away from the classical for a while. I got really interested in the jazz music, but in classical music also. I studied jazz for about two years and then went back to classical and studied for another ten years with great teachers including Victor Aller, Joseph Levine, and Leonid Hambro who used to travel with Victor Borge as his second pianist. He was also the orchestra pianist for the New York Philharmonic under Leonard Bernstein.