Originally published on Fynsworth Alley.
I’m sure that many of the people involved in last night’s benefit performance of Elegies for Angels, Punks, and Raging Queens looked on the event as a once-in-a-lifetime experience. Not me. I hope this is but the first of many future projects that I’ll be able to take part in that bring together so many talents for the purpose of making a statement about the values of our community, and to benefit those in need of some extra help. Clearly, this was not your run-of-the-mill benefit performance. I’m willing to bet that almost everyone involved in the show has been touched in some way by the AIDS epidemic, but the real point of coalescence for me was that our performance not only raised money for AIDS-related care, but the content of the performance itself paid tribute to those who have gone, those who survive, and those who support. Powerful stuff. During the dress rehearsal, when I heard most of the monologues for the first time, I was brought to tears countless times… the elderly lady who contracted HIV through a transfusion and learns to overcome her own prejudice to die with grace alongside a drag queen… the couple whose families are incredibly supportive until the first partner dies… the street punk drug user who finds an unlikely friend in a gay social worker… and on and on. The songs have never sounded better, surely, but I hope the final album product will be able to convey at least a taste of the scope of this work – gay, straight, bisexual, nonsexual, black, white, Latino, old, young, and unborn AIDS deaths. Continue reading