Fynsworth Alley: 10 Questions with Patrick Brady

Originally published on Fynsworth Alley.

What exactly do you do in your role as Musical Director for a new Broadway show like The Producers?

On The Producers, we have a musical supervisor, Glen Kelly, who created all the piano and dance arrangements and has been working closely with Mel Brooks for the last two years. I have written the vocal arrangements for The Producers and serve as musical director and conductor. My job has been to help cast the show, choose a drummer and assistant conductor, rehearse and teach the music, find the best keys and tempos, prepare the orchestra, make sure the orchestration is correct, conduct seven shows a week, watch the eighth show, give notes to the cast and keep the understudies prepared.

How did you become a Musical Director?

I’ve been accompanying singers, dancers and instrumentalists from the fourth grade on… I’ve played for Christmas pageants, children’s theatre, high school choruses, gymnastics, magic acts, dance classes, voice lessons, auditions, churches, community theatre, college degree recitals, summer stock, private parties, dinner theatre, rock ‘n’ roll bands, cabaret acts, night clubs… it’s too scary to think about… anyway, often the piano player ends up as the leader of the band and that’s what happened in my case.   Continue reading