The Craptacular: Remedial Queens: Who Will Love Side Show As It Am?

Originally published on The Craptacular.

Every so often, a show that flops hard on Broadway leaves in its aftermath a corps of fans devoted to keeping its memory alive. With shows like Candide, Merrily We Roll Along, Carrie, and countless others, these vocal proponents ensure that while the show may have closed quickly, they will not be forgotten. In the case of the most beloved of these shows, including the three I just named, their fans go so far as to spend countless hours “fixing” them, figuring out how to solve the problems that caused the shows to flop in the first place. When this works, the shows can go on to great acclaim: Hal Prince’s revision of Candide ran for years in the mid-70s, Michael Grandage’s London production of Merrily We Roll Along won the Olivier Award for Best Musical, and Carrie‘s recent off-Broadway return spawned a series of regional productions which will surely give way to high school, college, and community theater productions for years to come.

The latest cult musical to get this fan-fueled revisal treatment? Why, Side Show, of course. Continue reading

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Fynsworth Alley: Bill Russell

Originally published on Fynsworth Alley.

Bill Russell

Bill Russell

BILL RUSSELL wrote the book and lyrics of Elegies for Angels, Punks and Raging Queens, which he also directed. He’s perhaps best known as the lyricist and bookwriter of Side Show, for which he was nominated for two Tony Awards. He is currently working on Everything’s Ducky and Kept, both with his Side Show collaborator Henry Krieger. His songs appear on the albums Duets, Unsuspecting Hearts, Broadway’s Biggest ’97-’98, Emily Skinner, Haines His Way, and of course, Elegies.

DL: Let’s talk about the show from the beginning. I know you’ve told the story about how you came upon the idea of a Spoon River Anthology about AIDS – what was it about seeing the AIDS Quilt that connected the idea to Spoon River to give birth to Elegies?

BR: I was at the initial unveiling of the quilt in October of 1987, and I was looking for something to do in that free-verse style. I had written poetry in that style for years and years, and shortly after seeing the quilt, I had the idea that I could possibly do a “Spoon River of AIDS.” I was very familiar with Spoon River – I had studied it in high school; I had appeared in it in college; I had directed it also at a summer theatre. All of that came together, and it started out really as an exercise. I just thought I would go where it takes me. I wrote monologues about friends I knew who had either died or who were sick at the time. It went well, and I quickly decided there were theatrical possibilities. I called Janet and asked her if she’d like to write some songs to accompany the monologues, in the way that when Spoon River was adapted for the stage, Charles Aidman incorporated classic American folk songs along with the poems. Using that as a model, that’s what we did.
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Fynsworth Alley: 10 Questions with Bill Russell

Originally published on Fynsworth Alley.

10 Questions with Bill RussellMost people know you from Side Show, but before that, you had an Off-Broadway hit with PAGEANT…..how did that show develop and where did the idea come from?

Pageant has a long, involved history… In the mid-eighties a bunch of guys I knew were on tour with 42nd Street and had been for a while. They were in Boston and decided to do a drag pageant for the rest of the company. They were staying at the Bradford Hotel, so they called it the “Miss Bradford Pageant” and threw it together. Since they were all gypsies, they did some production numbers, one being “I Enjoy Being a Girl.” Bobby Longbottom was one of that group, and he called me to say he thought the idea had the makings of an off-Broadway show. I was dubious — I’d never been a big drag aficionado and thought beauty pageants had been satirized to death, but then I received a video of the “Miss Bradford Pageant” and couldn’t stop laughing. Also, because the cast was Broadway gypsies, the talent on display was considerably better than in real pageants. At the time I was collaborating on a revue called The Texas Chainsaw Musical with Frank Kelly and Albert Evans and got them interested in Pageant. We did a showcase production in 1986, which was very successful and extended, but it took until 1991 for a producer to take it to off-Broadway. Last year I directed the European premiere at the King’s Head Theatre in London (a fringe theatre), and that production transferred to the West End. I’m happy to report we just received two Olivier Award Nominations. I’m about to direct the show in Chicago. Luckily, pageants are so retro anyway that the show hasn’t dated…  Continue reading

Fynsworth Alley: Interview with Emily Skinner

Originally published on Fynsworth Alley.

emily skinnerEmily Skinner needs no introduction. Currently wowing audiences nightly in The Full Monty on Broadway and with her eponymous solo album, Emily is an entertainment powerhouse. Of course, she’s also known for her Tony-nominated performance in Side Show, her memorable roles in A Christmas Carol and James Joyce’s The Dead, and her two CDs with Side Show pal Alice Ripley, Duets and Unsuspecting Hearts.

DL: I’m sure everyone’s curious to hear about the new album, so let’s start there and work backwards through your career. Why is this one an “Emily Skinner” album instead of a Duets album?

ES: You’d have to ask Bruce about that. He approached me back in the spring about a solo album. I think the original concept was to do my album and Alice’s album, and have each of us sing on the other’s solo album. And I don’t know if Alice is eventually going to do one – I know she’s sort of insane right now, working on her own pop album. But I think that’s the plan. My schedule just allowed the time to do it this summer, so I thought, “let’s go ahead.”

DL: Did you let Alice help pick the duets?

ES: Actually, Bruce picked a lot of the duets. He picked “You’ll Never Get Away From Me,” and he suggested that we should do something from The Dead, so we picked “Ballyshannon.” Alice and I picked the one from Personals because we had actually done that one before.   Continue reading