JewishBoston.com: This Shabbat: Read Comics in Public

Originally published on JewishBoston.com.

created at: 2010-08-27Tomorrow, August 28, is the first ever International Read Comics in Public Day. Since the American comicbook industry was largely built by Jewish immigrants, the book generally considered to be the first “graphic novel” was all about Jewish life on the Lower East Side, and even today many of the luminaries of the field are Jewish, I think it’s fair game to claim this as a Jewish holiday of sorts.

The day is being sponsored by comics blog The Daily Cross Hatch, prompted by a joke between editors Sarah Morean and Brian Heater. You see, despite deacdes of news articles “discovering” that comics are for adults, all sorts of book awards including the Pulitzer going to comics, and a string of high-grossing and Oscar-winning films based on comics, there’s still some stigma attached to reading them. So Morean & Heater put out the call to comics lovers everywhere – be proud of what you’re reading, and let others see it.  Continue reading

Jewschool.com: Look, up in the sky! It’s a Jew! It’s a Queer! It’s Batwoman!

Originally published on Jewschool.com.

Batwoman from the cover of Detective Comics #854You might remember the media hooplah in 2006 when DC comics introduced their newest incarnation of Batwoman, Katy Kane, who not only kicks ass but also enjoys breast and thigh. That’s right, the new Batwoman plays for my team.

Somehow, amidst all that hooplah, I missed any reference to another revelation about the society lady / crimefighter — she’s also Jewish. Apparently, DC’s Christmas special in 2006 included a depiction of Batwoman celebrating Chanukkah with her then-girlfriend Rene Montoya.

Well, thanks to Rich Johnston of Bleeding Cool for bringing this to my attention.

Why is this relevant three years later? Well, this week Batwoman steps out of the shadows to take the leading role in Detective Comics, the flagship Batman book. In issue #854, which debuted on Wednesday, neither of Katy’s identities get much mention — a chanukkiah is visible in her apartment, and there’s a backup story featuring Katy’s ex-girlfriend who has assumed the mantle of The Question.

It remains to be seen how relevant these will be to the story as it unfolds. But what is clear from this first chapter is that writer Greg Rucka and artist J. H. Williams III are great storytellers. The artwork is detailed and textured and iconic without being derivative, with pages that invite the eye to linger and indulge. The script unfolds at a perfect pace, drawing the reader into the mystery at hand with just enough details to hook you in without giving away what’s happening next. I haven’t read a DC comic in years, but I had no trouble diving into this story and knowing everything I needed to know about these characters and their world. A few of the jokier lines are groaners, but that only adds to the sense that these characters are real people.

Now, Batwoman isn’t the first queer superhero, and certainly isn’t the first Jewish superhero, and isn’t even the first queer Jewish superhero (that might be Marvel’s Wiccan, from the Young Avengers… he might not have been first, but he’s my favorite, so I don’t care). But she’s certainly the highest-profile queer Jewish superhero, and she comes to the fore at a time when…. oh, hell, can’t I just be excited at another queer Jewish superhero? When one’s identity fits into a fairly small box, it’s exciting to see that identity represented in pop culture, particularly in such a well-told story. Don’t take my word for it – go out and buy yourself a comic book.

(Yes, I know I’m mixing references with the title, but I couldn’t come up with a suitable riff on Holy XXX, Batman!)

The Jewish Advocate: Spiegelman draws his comic view of world events for a local audience; Author of ‘Maus’ books brings ‘raw’ message to Peabody Essex Museum

Originally published in The Jewish Advocate.

SALEM – Art Spiegelman, the Pulitzer Prize-winning cartoonist best known for his Holocaust “Maus” books, drew a sold-out crowd to the Peabody Essex Museum Tuesday night as part of the museum’s month-long look at artistic responses to another horrific event in history, Sept. 11, 2001.

Spiegelman, 57, was born in Stockholm, Sweden, not long after the end of World War II, the child of Holocaust survivors Vladek and Anja. His parents dreamed of him becoming a dentist, but when he discovered Mad magazine, the course of his life changed. “I studied Mad the way some kids studied the Talmud,” he told Tuesday’s audience.

Continue reading