The Sondheim Review: Mixing Things Up

Artists from various musical disciplines re-imagined songs from Sunday

Originally published in The Sondheim Review.

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Jonathan Larson’s tick, tick… BOOM! occupies a special branch on the Sondheim family tree. Stephen Sondheim holds a God-like (albeit offstage) position in the creative development of the central character, Jon, buoying the struggling songwriter’s sinking confidence with a well-timed phone call. The show is also notable for its loving tribute to Sunday in the Park with George’s title song, re-imagined as a meditation on brunch through the eyes of a harried waiter. The themes of mentorship and derivation in Larson’s musical inspired young composer Ben Wexler to create the Sondheim REMIX challenge in conjunction with a revival of tick, tick… BOOM! at New York City Center’s Encores! Off-Center series (June 25-28, 2014).

Writers, producers, and performers were invited to take a piece from Sunday “and remix it. Make it yours. Sample it. Adapt it. Run with it.” The range of submissions represented world music, spoken word poetry, electronica, folk, and rap, each demonstrating Sunday’s power to transcend cultures and generations. Continue reading

Keshet: Life After Love: Cher & Jewish Mourning Rituals

Originally published on Keshet’s blog on MyJewishLearning.com.

David & his parents, marching with Keshet at Boston Pride in 2009.In October 2013, when I bought my tickets to see Cher’s Dressed to Kill tour, which would be playing down the street from my house in the then-distant future of May 2014, my mother asked with mock hurt in her voice why I hadn’t invited her to see the show with me.

At the time, I thought it was a bit of a ridiculous request. Although my mother had taken me to my earliest concerts in my pre-teen days, I couldn’t really envision her enjoying a stadium show at age 67. I imagined the show would be unbearably loud for her, and over the last couple of years, her health had slipped, and she just seemed too frail for that kind of environment. Plus, what interest did my mom have in the electronic dance diva that Cher has become in the most recent evolution of her career?  Continue reading

The Craptacular: Remedial Queens: More Loesser Than You Can Handle

Originally published on The Craptacular.

Loesser

With two of Frank Loesser’s biggest hits returning in the form of simultaneous all-star concerts, last week New York experienced a rare treat for Classic Broadway lovers and the ClaBro-curious alike. Wednesday – Sunday, Encores! gave us the quasi-operatic romance The Most Happy Fella with Laura Benanti, Cheyenne Jackson, Shuler Hensley, Heidi Blickenstaff, Jay Armstong Johnson and… yeah, basically everyone The Craptacular has ever written about. Then, on Thursday, Carnegie Hall exploded with the musical comedy excitement of Guys and Dolls, starring Nathan Lane in the role that made him famous, along with Patrick Wilson, Sierra Boggess, Megan Mullaly, John Treacy Egan, Len Cariou and Judy Kaye.

Frank Loesser was unique among Golden Age songwriters for a number of reasons: his earliest hit songs were written for the movies, marrying his lyrics to tunes by Jule Styne, Hoagie Carmichael, Burton Lane and others. In the mid-1940s, he began writing his own music, leading to his first Broadway show, the hit Where’s Charlie, and his Oscar-winning song “Baby, It’s Cold Outside.” (Please, if you want to debate the perceived rapey-ness of this song, do it in the comments of someone else’s post.) Continue reading

The Sondheim Review: It’s Their Time – Author Weaves ‘Merrily’ Into A Young Adult Novel

Originally published in The Sondheim Review, Spring 2014

The Reece Malcolm ListStephen Sondheim’s influence occasionally pops up in the most surprising of places. Having already made an impression on punk music (e.g. the album Punk Side Story), Ben Affleck (who performs “God, That’s Good” in the film Jersey Girl), and My Little Pony (which features numbers that resemble Sondheim’s work), a Sondheim-infused young adult novel is hardly surprising, but in the form of The Reece Malcolm List by Amy Spaulding, it’s unquestionably delightful.

Readers of The Sondheim Review are likely to recognize the book’s heroine and narrator: a teen more familiar with the ins and outs of high school show choir than athletics, with an iPod full of original cast albums and more Playbills than friends. Devan Mitchell has always been a bit of an outsider, with only one close friend and a strained relationship with her dad and step-mother. Having stumbled onto her mother’s identity when reading the dedication of author Reece Malcolm‘s first New York Times bestseller – clearly aimed at her – Devan begins the titular list to uncover whatever she can about her famous (and famously “un-Googleable”) mother. When Devan’s father dies in a car accident and she’s shipped off to Burbank, CA to live with the mother she’s never met, the quest to know more about the mysterious Reece Malcolm intensifies. Continue reading

Jewschool: Handle With Care: A Jewish Play Born From An Interfaith Marriage

Originally published on Jewschool.

Handle With CareWhen I first skimmed the press release for Handle With Care, a play currently running off-Broadway in the theater that used to house Old Jews Telling Jokes, I thought I had the whole thing figured out in advance: a non-Jewish playwright married an Israeli actress and wrote a show for her. Simple, I thought. It must be a comedy exploring the hilarity of intermarriage, like an Abie’s Irish Rose for the Pew Report generation. I couldn’t have been more wrong. For although playwright Jason Odell Williams has written a play about love bridging disparate lives, it’s about a burgeoning love affair between an Israeli Jew and an American Jew, finding each other in the most unlikely of circumstances: their “meet cute” occurs when a delivery man loses the box containing the remains of Ayelet’s recently deceased grandmother, which he was supposed to be bringing to the airport for return to Israel. Josh, Ayelet’s love interest, is the delivery man’s only Jewish friend, so naturally he gets the call to help translate the situation to the distressed Israeli who speaks very little English.

The result is a charming romantic comedy that would be right at home on JCC stages anywhere in the country. That the play was written by someone who’s not himself Jewish (although he is part of a Jewish family) is surprising, so I was glad to have the opportunity to speak with both Williams and his wife (and star of the show) Charlotte Cohn about that play, their marriage, and working with one’s spouse. Continue reading

Talkin’ Broadway: Book Reviews – Nothing Like a Dame

Originally published on TalkinBroadway.com

Nothing Like A DameEddie Shapiro is best known for bringing out the gaiety at the Happiest Place on Earth as the co-author of Queens in the Kingdom: The Ultimate Gay and Lesbian Guide to the Disney Theme Parks and the producer of Gay Days at Disneyland. His latest book, Nothing Like A Dame, focuses on a different kind of royalty: twenty-one of Broadway’s leading ladies, every one of them a Tony Award winner, encompassing over sixty years of Broadway history, from Carol Channing, whose debut was in Let’s Face It in 1941, to those opening in shows this season like Idina Menzel and Sutton Foster. (Twenty interviews appear in the book proper. A bonus chapter about Tonya Pinkins is available as a download from the book’s website.)

Subtitled “Conversations with the Great Women of Musical Theater,” Shapiro’s book delivers exactly what the title promises: interviews with (mostly) above-the-title stars, presented as straightforward Q&As. While there are only a couple of notable omissions (Bernadette Peters being the most obvious), the book makes no attempt to be encyclopedic. In fact, in his introduction, Shapiro acknowledges that many of these women have written their own memoirs (or, in the case of Elaine Stritch and Chita Rivera, performed in autobiographical Broadway shows) and, rather than attempt to retell the same stories, he hoped to complement and expand upon what they’ve already offered about themselves. Given that approach, this book might not be the most accessible to casual theatergoers. If shows like Call Me Madam and Kiss of the Spider Woman or names like Graciela Daniele and Gwen Verdon send you running to Google, you may find the reading experience challenging. Continue reading

Talkin’ Broadway: Book Review – Newsies: Stories of the Unlikely Broadway Hit

Originally published on TalkinBroadway.com.

Newsies: Stories of the Unlikely Broadway HitThere’s an entire genre of books detailing the “making of” Broadway musicals from idea to opening night, and it’s not hard to understand why. Few musicals spring forth fully formed from the minds of their creators, no matter how perfect the final product. The collaborative nature of theater, and musical theater in particular, ensures that the birthing process involves disparate artists hoping to merge their individual visions into one production, and their individual personalities into a team. When the unified vision, or the team, fails to coalesce, you may end up with a Spider-Man: Turn Off the Dark situation, where the creative differences and the backstabbing combined to make a narrative more interesting than the show itself. But as Newsies: Stories of the Unlikely Broadway Hit demonstrates, even a relatively smooth creative process can make for a good read. Taking the form of an oral history, including diverse voices from the property’s history brought together by editor (and Newsies dramaturg) Ken Cerniglia, this new addition to the genre makes an entertaining and informative read, whether you’re a “Fansie” or not.

If the word “Fansie”—that’s what Newsies fandom has dubbed itself—causes you to make involuntary gagging noises, don’t worry. Although this book might look at first glance like an elaborate souvenir program pandering to teenage girls, the “Fansie” content is limited to a few interstitial pages of fan-submitted photos and quotes about how the film or the show affected their lives. Well, that’s only half true, for one of the biggest revelations of the book is how many members of the team that brought Newsies to Broadway, from management to designers to (especially) the dancers, were inspired by the original film to pursue careers in the arts. Continue reading

The Craptacular: Remedial Queens: Little Me

Originally published on The Craptacular.

Little Me

This week, Encores! kicks off its 21st season with Little Me, a jazzy musical comedy — emphasis on comedy — which features a hysterical book by Neil Simon specifically crafted around the talents of original star Sid Caesar, who played seven different roles in the show. Christian Borle steps into all of those roles for the Encores! production, but before the curtain goes up at City Center, let’s take a look back at the history of this show.

If you’re the kind of person who likes to impress/bore your friends/enemies at parties/piano bars with Broadway trivia, Little Me is right up your alley. Based on a book by Patrick Dennis — who you might remember as both a character in Mame and the author of, Auntie Mame: An Irreverent Escapade, the novel it’s based on – Little Me: The Intimate Memoirs of that Great Star of Stage, Screen, and Television Belle Poitrine as told to Patrick Dennis. (Does that make Little Me an unofficial sequel to Mame?) The novel, a satire on the self-indulgent celebrity autobiography that has never gone out of style, was built around a series of humorous photographs taken by Cris Alexander. You might remember Alexander as Chip in the original production of On The Town, or for his roles in the original stage and film casts of Auntie Mame. Continue reading

Jewschool: Where Hipster Brooklyn and Youth Group Nostalgia Meet

Originally published on Jewschool.com.

Sermon SlamA couple of weeks ago, an email came over the Jewschool contributors’ listserv asking if anyone wanted to cover a SermonSlam taking place in my neighborhood. As someone who has enjoyed other kinds of slams in the past (poetry, story, and grand – IHOP, not baseball), I jumped at the opportunity. I’m still something of a Brooklyn newbie, having lived here for less than a year. So I want to fully own that my preconceived notions of what a SermonSlam might be were entirely colored by an outsider’s stereotype of Brooklyn hipster culture. Now, to be fair, I have lived here almost a year—it will be a year this Shabbat—and so I have been around long enough to know that most of the stereotypes about Brooklyn hipster culture are true. And I should have been tipped off by the fact that the event was being held at Congregation Beth Elohim (known in the neighborhood as CBE), a very large Reform synagogue that often plays host to community events, many of which I have enjoyed this year.

You see what I’m getting at, right? What I had pictured as a cool, vaguely underground event, perhaps in a dark room with a stage and a bar, turning words of Torah into performance art, was in fact more like a youth group program for young adults, held in a large, well-lit synagogue social hall, with the performers relying a little more heavily on the “sermon” than the “slam.” The only drinks were of the cola variety, and the evening was padded with games straight from my synagogue youth director playbook like Jewish Geography 2.0, affably executed by hosts Ben Greenfield and Samantha Kuperberg, who themselves seemed to have arrived straight from a summer on the staff of Camp Ramah.

BUT! And this is a big BUT! (I like big BUTs and I cannot lie…) I’m pretty sure if you went in to the event with fewer or different preconceived notions, you would have been thrilled.  Continue reading

The Craptacular: Remedial Queens: Encores! Great American Musicals in Concert

Originally published on The Craptacular.

Encores!

Love Broadway musicals but hate having to sit through all that talking between the songs? You’re in luck. In the next couple of months, you can catch the New York Philharmonic doing Sweeney Todd in Concert, Lincoln Center hosting Titanic in Concert, Carnegie Hall offering Guys and Dolls in Concert, and 54 Below with concert revivals of Smokey Joe’s Cafe and Side Show on deck. But most importantly, the 21st season of Encores! Great American Musicals in Concert kicks off with Little Me the first week of February. Believe it or not, once upon a time, concert productions of older shows didn’t fill our concert halls and nightclubs. There was the occasional Kern or Gershwin show dusted off at Carnegie Hall or the Library of Congress, and starry casts came together for special events like Follies in Concert, but they were just that—special events. Continue reading